Fleishman is in Trouble is a miniseries starring Jesse Eisenberg, who plays Dr. Toby Fleishman. The show follows Toby as he attempts to revitalize his romantic/social life following his divorce, struggling to form an identity independent of his marriage.
Chloe Bailey is in a similar position as she establishes herself without her young sister, Halle. Together, their 2020 album, Ungodly Hour, delighted through its blend of songwriting and experimental production. Their rise to stardom began as children with acting roles in The Fighting Temptations and Let It Shine. Popular YouTube covers as pre-teens and recurring roles on Grown-ish only further developed their profile.
Chlöe’s solo career began with a series of singles — Have Mercy, Treat Me & Surprise — that focused on her appeal through the lens of physical attraction. For some, Chlöe ‘s new approach was the marker of a young woman entering her twenties. Others viewed the pop-heavy singles as below her talent. The new emphasis on sex appeal instantly made Chlöe the most polarizing figure in music.
Chlöe ‘s debut album, In Pieces, only complicates the discourse. The presumed lead singles — listed above — are absent from the 14-track project in favor of heartbreak and emotional scars. “Pray It Away” finds Chlöe dealing with an unfit partner, left at a crossroads between faith and violence. She uses “Make It Look Easy” to voice her struggles with finding peace amid criticism.
While the songwriting is strong, the sound accompanying the lyrics and sounds feels disconnected. “Body Do” is the standout that mirrors Chlöe x Halle’s most popular tracks that have a message but get you on the dance floor. Yet, moments like this are seldom and make In Pieces a frustrating listen. Features from Chris Brown and Future only add to the album’s muddled feel.
Chlöe ‘s musical and personal journey are thoroughly intertwined. The expectations thrust upon Chlöe certainly haven’t made things easier. Her talent, connection to Beyonce, and stature among her peers have unfairly projected Chlöe to be the next big R&B/pop star. The conversations involving non-musical topics strengthen her supporters but silence valid criticism. Chlöe’s been open about how the discourse has impacted her, but In Pieces fails to offer a glimpse of her outside the noise.
Chlöe’s at her best when experimenting with production/tempo, allowing her uniquely powerful and rangy voice to shine. In Pieces lacks this free-flowing approach and is too concerned with making a point or checking a box. Her switch from desirable It Girl to heartbroken songstress feels like she’s routinely drifted to what others want her to be.
Chlöe needs time musically and personally. At times, In Pieces displays Chlöe’s otherworldly talent but is riddled with tracks that move you to indifference and leave you wondering who exactly she wants to be.
